• Gepubliceerd in Buitenlands nieuws

Madonna's 'American Life': revisiting the divisive album 15 years later

While American Life certainly wasn't the kiss of death for Madonna, her ninth studio album did end one of the winningest streaks in the history of pop. Although the LP—which was released 15 years ago on April 21, 2003—did debut at No. 1 on the Billboard 200 chart, it became the lowest-selling studio LP of her career up to that point. And the reviews were mixed at best.

The title-track lead single was one of Madonna’s first bona-fide flops, certainly by her standards. It barely cracked the top 40 on the Billboard Hot 100, peaking at No. 37. Even worse, it was the object of derision for her stiff, silly rap in the second half where she rhymes “latte” with “shoté” and “MINI Cooper” with “super-duper” and “trooper.” No one wants to hear Madonna rap about her lawyer, manager, agent, chef, nannies, assistant, driver, jet, trainer, butler, bodyguards, gardener and stylist. Not then, and not now. The failure of “American Life” made it hard for the album to recover with subsequent singles “Hollywood,” “Nothing Fails” and “Love Profusion” missing the Hot 100.

But revisiting American Life 15 years later, it deserves more love than it has gotten -- it's perhaps the most underappreciated album of Madonna’s catalog. Listening to it now, it certainly bests Rebel Heart and MDNA, and from a lyrical standpoint, it probably beats 2008’s Hard Candy and maybe even 2005’s beloved Confessions on a Dance Floor. In fact, with its confessional tone and commentary on the American Dream in the President George W. Bush era, American Life is easily one of Madonna’s better lyrical outings.

The strong lyrical perspective is complemented by the cohesive musical vision. Madonna worked with one producer, French electronic savant Mirwais Ahmadzaï, for the entire album—although there was additional production by Mark “Spike” Spent on “I’m So Stupid” and “Nothing Fails”—and they expanded on the folktronica experimentation they did on 2000’s Music. Indeed, if there is one Music song that served as the biggest touchstone for American Life, it's “Don’t Tell Me,” with its twangy trip-hop. Madonna and Mirwais—who are back in the studio working on new music together in 2018—also co-wrote all but three of 11 songs together. With such a tight team, not one of the songs feels out of place (although the dramatic “Die Another Day” from the James Bond film of the same name feels like it should have been sequenced earlier in the record).

In retrospect, American Life—the last truly ambitious album that Madonna has made—also marked the end of a very important phase of her career. Having achieved new artistic depth with 1998’s Ray of Light and continued that creative spirit with Music, she was very much still in risk-taking mode on American Life. You might say those three albums—starting from an electronica base but veering in different directions—amounted to her Berlin Trilogy. On an aesthetic level, this period was Madonna at her Bowie-est.

“Love Profusion,” “Nobody Knows Me” and “Nothing Fails” make for a thrilling three-song sequence that displays varied moods and styles. While glowing with its sweet strumminess, “Love Profusion” faces some troubling uncertainties: “There are too many questions/There is not one solution/There is no resurrection/There is so much confusion.” The zig-zagging “Nobody Knows Me” packs a rock thump and a sense of disillusionment: “This world is not so kind/People trap your mind/It’s so hard to find/Someone to admire.” And “Nothing Fails”—the glorious, gospel-infused centerpiece of American Life—is nothing short of a latter-day “Like a Prayer.”

Elsewhere, “X-Static Process”—co-written by Stuart Price, who Madonna would go on to work with for much of Confessions on a Dance Floor—is a beautiful ballad rich in harmony and emotional directness. You can almost hear echoes of R.E.M. on that and the previous track, “Intervention.” Meanwhile, the solemn, string-laden “Easy Ride” may be one of the best album closers of Madonna’s career. The lyric nods to her notorious work ethic: “I want the good life/But I don’t want an easy ride/What I want is to work for it/Feel the blood and sweat on my fingertips/That’s what I want for me.”

American Life—which still sounds very modern and, in some ways, seems eerily prescient of Trump-era despair—feels more like the Madonna album for now than her recent efforts. It’s not a perfect album—“I’m So Stupid” is still irritating—but it’s the sound of Madonna challenging herself, and us.


  • Gepubliceerd in Buitenlands nieuws

Madonna teases possible reunion with Mirwais, the producer behind 'Music' & 'American Life'

Madonna took to Twitter on Tuesday (April 17) to share a clip of herself singing along to a poppy dance track, and one particular hashtag has fans thinking she's reunited with her longtime collaborator Mirwais.

"No This is NOT my new music ------------------ But im having fun in the studio in between takes!! ------------. #music #mirwais #magic," the singer wrote in the caption of the video.

The "Ghosttown" singer confirmed in early 2018 that she has been in the studio working on her 14th record. She's remained cryptic about who she's working with, but by tagging the French record producer and songwriter, many fans are convinced that he's involved. "Is this a hint Mirwais is back in the mix???" one tweeted. "Are you working with #Mirwais again??? Yay!" another wrote.

Madonna and Mirwais previously worked together on three of her albums, including her 2000 record Music, which was nominated for three Grammy Awards and whose title track hit No. 1 on the Billboard Hot 100. They also collaborated for 2003's American Life and Confessions on a Dance Floor in 2005.

Billboard has reached out to Madonna's rep for confirmation that she's reuniting with Mirwais but hasn't heard back as of press time.

  • Gepubliceerd in In de kluis

I'm In Love With Love

Demo die gelekt is op 20 september 2010. Het nummer is waarschijnlijk opgenomen in de periode van de Re-Invention Tour en de (geplande) musical Hello Suckers. I'm In Love With Love heeft dezelfde pop/rock stijl van de originele versie van I Love New York dat als bonustrack was toegevoegd aan de CD van I'm Going To Tell You A Secret.

  • Gepubliceerd in In de kluis

Triggering (Your Senses)

Een samenwerking tussen Madonna en Mirwais. Het nummer verscheen (illegaal) op internet op 21 augustus 2008.
  • Gepubliceerd in In de kluis

Keep The Trance

Track geschreven en geproduceerd door Mirwais. Mede-geschreven door Madonna. Het nummer verscheen illegaal op internet in januari 2008. Het nummer is later bewerkt tot de ballad Hey You dat gebruikt is voor het Live Earth evenement in 2007.
Een andere mix verscheen in augustus 2008, ook illegaal via internet.
Het nummer is later nog opgenomen door YAS als Get It Right voor haar album Arabology dat geprobeerd is door Mirwais.

  • Gepubliceerd in In de kluis

Miss You

Een akoestisch nummer opgenomen met Mirwais voor het album American Life of de musical Hello Suckers. Het liedje is (illegaal) te downloaden op internet waar het op 3 september 2010 verscheen.

  • Gepubliceerd in In de kluis

The Devil Wouldn't Recognize You

Dit nummer is opgenomen voor de musical Hello Suckers waaraan Madonna werkte met Patrick Leonard en Mirwais Ahmagzai in 2004/2005. De musical is nooit afgemaakt.
Er gingen geruchten dat Madonna dit nummer tijdens 1 van de laatste optredens van de Re-Invention World Tour zou gaan uitvoeren. Dit gebeurde niet.
Madonna gebruikte het nummer wel voor haar album Hard Candy. Het is toen geproduceerd door Timbaland, Justin Timberlake en Nate Hills.

  • Gepubliceerd in In de kluis

If You Go Away

Dit nummer is opgenomen voor de musical Hello Suckers waaraan Madonna werkte met Patrick Leonard en Mirwais Ahmagzai in 2004/2005. De musical is nooit afgemaakt.
If You Go Away is een vertaling van het Jacues Brel nummer Ne Me Quitte Pas en is ook opgenomen door o.a. Marlene Dietrich, Shirley Bassey en Tom Jones.
Het nummers is op 2 september 2010 op internet verschenen als (illegale) download.

  • Gepubliceerd in In de kluis

Cool Song

Nummer geschreven door Mirwais en Monte Pittman. Cool Song is een simpel liedje met acoustische gitaren en aan het eind een (kinder)koor. Op 31 augustus 2010 verscheen het nummer - illegaal - als MP3 op internet.

  • Gepubliceerd in In de kluis

Remember Me

Waarschijnlijk geschreven en geproduceerd met Mirwais Ahmadzai volgens Italiaanse roddel/bron.
Of het nummer daadwerkelijk bestaat is niet zeker.
Abonneren op deze RSS feed

Login or Registreren

Wachtwoord vergeten? / Gebruikersnaam vergeten?

Om de website van MadonnaNed goed te laten functioneren, maken wij gebruik van cookies. Meer informatie


Cookies zijn eenvoudige kleine tekstbestanden die worden opgeslagen op de harde schijf of in het geheugen van je computer. Cookies kunnen je computer of de bestanden die op jouw computer staan niet beschadigen.

Cookies zorgen er onder andere voor dat je ingelogd kan blijven op MadonnaNed. Wij gebruiken ook cookies om essentiële onderdelen op onze website te laten werken.

Social media

Deze website bevat tevens “buttons” van sociale netwerken als Facebook, Linkedin en Twitter, waarmee u (content van) onze website kunt delen op die netwerken. De buttons werken door middel van stukjes code die van deze partijen zelf afkomstig zijn. Door middel van deze code worden cookies geplaatst. Wij hebben daar geen invloed op. Leest u de privacyverklaring van Facebook, Linkedin en Twitter (welke regelmatig kunnen wijzigen) om te lezen wat zij met uw (persoons)gegevens doen die zij via deze cookies verwerken.


We gebruiken cookies om statistieken te verzamelen van onze bezoekers om te zien hoe vaak de website - en welke pagina's - door bezoekers worden bekeken.